A GRAND RE-OPENING

A RE-GRAND OPENING

At

SUSAN HENSEL GALLERY

In the House of the Mineral Spirits

Jan 14- Feb 28

The Susan Hensel Gallery has been quiet for the last six months, but that is about to change. On January 14, a new show In the House of the Mineral Spirits, by Dean Ebben, will kick off the final full season of Susan Hensel Gallery before retirement, with performance, installation and works on paper. A reception for the artist will be held Friday, January 14, 6-10pm, with a performance that begins at 7pm.

It will be a visually, aurally rich evening with a gift at the end. Much of the evening will be given over to a performance and series of video projections with live and recorded gamelan music. The central performer of the evening will interact with woven structures, symbolic ice, a starlit sky and sound. In the end, the pieces of the performance are ephemeral and will be transformed on site into free gifts. But the videos and the installation will remain, looping and interacting with the local environment for the duration of the show.

In The House of The Mineral Spirits is a play on words and meanings. The idea of the house is a metaphor of one’s inner-self. “We all have spirits, ghosts, even demons that haunt us in our past, present, and future. The mineral spirits are poison, alcohol, things that evaporate. They are ethereal and clear.”

Dean Ebben’s work always begins as a biographical narrative, taking on a life of its own, building with the response of the viewers. He sees this show as a “wisdom work," seeking wisdom through the exploration of ideas, materials, mythology, and narrative. By using his own observations and experiences in a subtle visual context, he requires the viewers to look carefully and ask themselves what they find significant

Dean Ebben grew up in the Twin Cities, graduated from Massachusetts College of Art and Pratt Institute. His media is drawing... but not in the way that most people think of drawing...as an elegant line of pen or pencil. He works with multi-media in a meditative manner akin to the discovery process inherent in drawing. In this show you will see video, performance, artists books, sculpture, gouache paintings, and cyanotype.

In a world of mass culture, which inflicts sensory overload, people tend to become desensitized to visual culture. Ebben asks the viewer to stop and look closely to find what is significant. Finding wisdom through observation and reflection.

As things in the show transform themselves, as videos loop to provide different glimpses into new realities, this show will be an exciting and apt beginning to a transitional year in the life of Susan Hensel Gallery.

WHAT: IN THE HOUSE OF THE MINERAL SPIRITS

Installation, performance and works on paper

By

Dean Ebben

WHEN: January 14-February 28, 2011

Reception: Friday, January 14, 6-10pm

Performance at @ 7pm, Jan 14

WHERE: Susan Hensel Gallery

3441 Cedar Ave S

CONTACT: Susan Hensel 612 722-2324

Color of Conflict closes soon

The show is nearly done! Only a few days remain to see this powerful show...it comes down January 1!

A sleepy John Hensel, just after arriving from Michigan on an AMTRAK bus.
The opening was a blast. Many people braved the cold, slippery roads and the ubiquitous holiday parties to welcome John "home" and to celebrate his achievements as a photographer.

Color of conflict nears...

At the core of COLOR OF CONFLICT, at the heart, at the start:

COLOR OF CONFLICT

a collaboration between Susan Hensel and John Hensel

The subject is war. The object is yarn. The exhibit is photography.

COLOR OF CONFLICT, now on exhibit at Susan Hensel Gallery

reception: DECEMBER 17, 7-10pm.

Color of Conflict opens soon

COLOR OF CONFLICT

A new exhibit at Susan Hensel Gallery

Dec 1, 2010-Jan. 1, 2011

reception on Friday, December 17, 7-10pm

The object is yarn. The subject is war.

Color of Conflict, opening at Susan Hensel Gallery December 1, is a collaboration with photographer John Hensel, my son

Always a multimedia artist who seeks narrative, I brought the world of fiber into my studio practice. Color of Conflict is a show of photographs that wrest the meaning from a series of yarns spun during my sabbatical. These yarns, containing army toys and the colors and forms of armed conflict, can be knitted. But their true horror is revealed in the photographic display.

In the art world, one talks about transgression. Transgression can be loosely defined as breaking expected boundaries or expectations. Yarn is expected to be soft, warm, useful, at times even life saving. It is often associated with leisure, craft and women's work. Rarely is it thought of as an object, a material or a subject of fine art. In this project, yarn paradoxically uses its traditional softness to express a hard/harsh/violent reality. It uses its allusions to its life saving properties( warmth, padding, protecting) as a field of discussion about war and death. It uses a "women's art" to discuss a "man's pursuit."

This body of work was completed during a six month sabbatical from gallery life. I took the risk of closing Susan Hensel Gallery for six months in order to return to studio practice and research. During the sabbatical I spent much time exploring the narrative capabilities of fiber. I have become part of the artyarn movement, a radical group of spinners who push the idea of what yarn can be to its maximum. Usually, it is a lighthearted game, spinning Christmas baubles and Halloween eyeballs into fluffy masses of wool. It’s mostly about process and fun. I love process as much as the next person, but process alone does not satisfy me in the long-run. I have been adding, multiplying, accreting and inserting meaning wherever I can in handspun yarn.

There will be a reception for the us on Friday, December 17, 7-10pm. Come see the yarn. Come meet the photographer.

The gallery is stirring, with much new work

The gallery is stirring and a re-birth of sorts is underway.

My personal work is all over the walls. I have begun working with four of the upcoming artists who have shows here in 2011, beginning with Dean Ebben. Then will come Reader's Art 11: Urban/Urbane, followed by Libbie Soffer, Carolyn Halliday and Debora Miller.

In addition to the wool market tomorrow, Sat, Oct 23, 10-4....

You can see a show of what I have been doing during this sabbatical! The walls are covered, nearly to the ceiling, with new work. Come and see!

Sydney Aquarium after hours

The Dugong

I was not particularly looking forward to the Sydney Aquarium...You know, seen one seen them all. And I suppose it was not that unusual as aquariums go. BUT we got to see it with no strollers, no screaming kids, no cranky parents! The most exciting thing was seeing 2 real platypus! The were quite small, swimming far to quickly for my camera to catch them in the dark water.
Holly is a woman from Florida who wears fine jewelry and always arrives fashionably and creatively dressed. Except for the Florida connection, I would never have dreamed of her special talent. Holly can talk to the sea creatures, even through the glass, and they appear to listen. Holly's normal voice is quite loud, brash, carrying far. When she talks to the sea creatures, she speaks with the tone of a new lover, sweet & inviting. The leopard ray came right to the glass and seemed to reach out to her. The dugong stopped sleeping, and swam to her.



sleeping dugong.

The Gallery is pregnant?

Things are brewing, even as sabbatical continues. It is an exciting time in the quiet gallery. Nothing is hanging on the wall. Everything is pregnant with potential!

The windows are growing and blooming with the art by Debora Miller. Drive by, especially after dark to see them at their best!

Soon we will have another South Minneapolis Wild Wool Market: October 23.

In December a new show will open...its title is unknown...but it is a collaboration between Susan Hensel and her son John Hensel. John is a fine photographer who is able to take an idea, a glimmer, really, and make it sing. I had a weird idea that involved yarn that told a story. His photography makes that potential story real. Stay tuned for dates! The party will be sometime over the Christmas holidays, since that is when he visits Minneapolis. And then, Dean Ebben's show will open in January. Dean is a local guy who moved on to New York. He comes back every year to see family and to teach at Minnesota Center for Book Arts. On January 14 he will open IN THE HOUSE OF THE MINNERAL SPIRITS at Susan Hensel Gallery with an installation and a performance. Stay tuned!

Like I said, nothing is HERE, right now, but the place is pregnant with the future! How exciting!