Monday, December 2, 2013

Crossed Wires---an apology!

Not only am I sketchily abled dealing with calendars, but I am superb at crossed wires!  Durn!

The superb photography of Ayana Muata was supposed to grace the windows this month.  I encourage you to go to look at her website and drool with expectation!  She is a superb storyteller in visual form.  Her forte is portraits, self and otherwise, that share deep narratives without the need for text. She will be showing in October and November, 2014!

For that matter, check out all  the links on the "exhibition schedule" page of the gallery website.  There are some very interesting shows scheduled.

Sunday, December 1, 2013

IN the Windows, December 2013

I have always had some problems managing calendars.  I get lost in the days of the week, the months and their corresponding number systems.  For the most part I do get to all my appointments on the right day and at the right time.  But there are glitches.  December is such a month, a glitch month.  I created an unintentional hole in the window schedule.  So, at the last minute, I had to fill the windows.  So this month the work in the windows is mine.

These deconstructed suits are part of a series that keeps me thinking and re-working, over and over.
I keep returning to them, adding pins, skeletal structures of thread.  I ponder the deconstruction of a symbol of power.

Deconstructing Power

One of the many things that women share world wide is wage disparity with men.  In the US, the average gender wage gap, is 23%.  When considering the wages of CEO’s of Fortune 500 companies, the gap narrows to 17%, but the number of women holding the position also reduces.  Women are roughly 51% of the population in  the US, holding 4.2% of the top positions in Fortune 500 companies.

What is it, then, that represents this overwhelming male power?  Perhaps it is the suit.

Deconstructing Power is a series of stitched assemblages that consider the artificiality of the power suit, designed to enhance male images of power. Developed out of European styles of the aristocracy, the power suit, once established, changed little and now is the near ubiquitous symbol of power for the urban male.  The deconstructed suits are stitched onto floral/feminine upholstery fabrics with their artifice prominent. Once splayed open, they become simply the stuff of which they are made: cleverly woven textiles cleverly assembled for effect, often by the hands of women.