Showing posts with label installation. Show all posts
Showing posts with label installation. Show all posts

Tuesday, January 8, 2013

Painting the proscenium


 It may or may not be a proscenium...although we  have been referring to it as a stage...but upside down.

The projector is placed, the window transparencies have begun to find their way to the windows.

All things are moving ahead in good order.

Food and beverage are purchased and chilling

So, the public unveiling is Friday!

I'm not me, she's over there
by Debora Miller with Rebecca Miller

Jan 11-Feb 22, 2013

Reception Jan 11, 7-9pm

Saturday, January 5, 2013

I'm not me, she's over there...it begins

I'm not me, she's over there
an installation by Debora Miller
opening Friday. January 11. 7-9pm

It's like a moving-in.  You know, when you gather friends, boxes, tape and trucks and haul  the mismatched parts of your life to new home. Deb Miller and her husband Andy have begun the move. Measuring tapes have measured and snapped shut across the space.  Plans have been drawn, tools have been assembled.  Mason jars, twin shots, paint, tape and a set of bound dolls that travel back and forth between Deb and her identical twin when they visit one another.  You can see Debora at work at work at http://artsquall.wordpress.com/






Wednesday, October 31, 2012

New show in the windows


The Uneasy Everyday
by
Nate Petterson

Nate Petterson is a painter, usually.  But last year he spent a semester in the clay studio at University of Minnesota and these bottles emerged...broken, misshapen, sometimes with faces and protruberances.  They are uneasy even as they reflect the everyday experience of a discarded bottle of root beer.

The show will be up through Christmas.  be sure to walk by.



Wednesday, August 29, 2012

Ophelia as she is changing in the new temporary studio

Ophelia Ascendant
I have rented a storefront on S. Bloomington Avenue for the duration of the renovation through Reader's Art so I can easily continue working on the bodies of work that have been languishing in the on and off work practice that was necessitated by life with a gallery.Each day that I get to work on this project, I come home exhausted after only a few hours of work.  So much looking!

 I try one thing and then another and look at the whole series of 10 drawings to see if they scan, if they tell the story that they have been created to tell.











 Little by little, they accomplish their work.





Each drawing is part of an installation and performance that I expect to present aroun this time next year.  I could do it sooner...except for Reader's Art!


Wednesday, March 28, 2012

Reader's Art 12: Mary Ellen Long

Reader's Art 12: Longing for Home



Mary Ellen Long was born in Los Angeles, California and lived in the North San Diego County for 22 years.  A multi-media artist  who now lives in Durango, Colorado, her work includes mixed media drawing and assemblage, collage,  indoor and outdoor environmental installations, and artists’ books. 

"I live in a mountain setting and work directly in nature on surrounding lands, intervening in subtle ways with what is found and observed;  using handmade paper to mark, wrap, and expand natural form and elements;  burying paper under winter snows to document process and transition;  and arranging indigenous elements in symbolic forms. "

 Her environmental art projects can be seen at weadartists.org and greenmuseum.org
The artist has exhibted widely for over thirty years and her collage and artists’ books are in numerous public and private collections internationally.
   
Her blog is a good way to find out her current projects.

She had a solo show at Susan Hensel Gallery in 2007






Reader's Art 12: Longing for Home
March 16- April 26, 2012

Monday, June 20, 2011

The What and Why of retirement


After the summer hiatus, the gallery will reopen , as a gallery, in September for an exhibition by Jeff Rathermel, the executive director of Minnesota Center for Book Arts. At the end of his show, toward the end of October, the space will slide back into studio space for a bit.

A lingering question remains, however. Why retire?

When I opened Susan Hensel Gallery, I gave up a robust exhibition career( over 100 regional and national exhibitions, many collections, a museum or two...) in order to create a space for experimentation where unconventional artists could give voice to their ideas.I have worked hard and loved every moment of it. And I will miss the dailiness of it and the times I get to meet new people. So I am NOT closing entirely.

What will retirement look like in Susan Hensel Gallery?It is more a change of material state than a retirement.
In the fall of 2011, I will reduce the exhibition programming of the gallery to one or 2 shows per year. The windows and the yard will be available for installations. I will make a tremendous mess in the main gallery space, as it will become my studio and I am a tremendously messy artist.

In 2012, I will curate and exhibit Reader's Art 12.
Regardless, I will remain open on Mondays, for wool sales and the curiosity seekers.

Past that? We'll have to wait and see.


Friday, June 3, 2011

Installation is nearly done!

Installing My Father's Religion, is not difficult, but it is slow and painstaking.


It involves wire, tools, plumbing pipe, picture wire, monofiliment, a level...and forming, re-forming, frogging and knitting.
The day was made much easier by the participation of Mark Carlson.

My Father's Religion is showing in conjunction with :

Opening Soon:

My Father's Religion

June 4- July 12

Opening Reception: June 17, 7-9pm

Tuesday, May 31, 2011

A Little Background, Please


Love Song, by Carolyn Halliday
Carolyn Halliday, whose upcoming show My Father's Religion, hangs this week, responded to some questions I emailed her. So, over the next few days, I will share her responses with you.

When did yo learn to knit?

My mom taught me the basics of knitting when I was 8. I don't remember knitting particulars, other than a sweater of sorts for the cat, who preferred not to wear it. As a girl, I was expected to learn the domestic arts, and I did and wanted to learn them all, although I was always pretty imperfect in my skills. In JH home ec, I was told I knit wrong, and relearned knitting. Being left handed, I apparently developed a left handed way to knit (which is now handy to use) but I ripped out the whole sweater that I was working on for the school assignment, so I could re-knit it "correctly".

I remember seeing a spinning wheel at your house. Do you spin?

I saw someone spinning for the first time when I was 17, and I thought it was sheer magic. I was smitten with the idea of making thread from a scrap of fluff. But I didn't see anyone spin again until I learned to spin around 1978, and began using my hand spun for knitting and weaving. (I learned to weave around the same time, in the Portland Parks and Recreation Dept---they offered weaving!) Around 1988, I made a teddy bear of my hand spun for a pregnant friend, and got interested in dimensional knitting. So I started doing other animals, especially fueled by my son, who would tell me, "Now make a cow." I made a few different animals and dolls of hand spun and started to sell them at craft shows, like St Cate's. I should mention that when I moved back to Mpls in December of 1981, I immediately joined the Weaver's Guild of Minnesota, and have been forever grateful for the welcoming community and many classes and opportunities that grounded my early artistic attempts. Through the Weaver's Guild of Minnesota, and then the Textile Center, I learned much about dying, surface design, spinning, felting, paper making.

Opening Soon:

My Father's Religion

June 4- July 12

Opening Reception: June 17, 7-9pm

Wednesday, May 25, 2011

Self Portraiture

Carolyn Halliday has done several self portraits in knitted wire. It should come as no surprise that they are non-standard. She translated her body measurements into these forms.



My Father's Religion
June 4-July12
opening reception June 17, 7-9pm

Saturday, May 7, 2011

Unmending-Libbie Soffer


ars domestica
by Libbie Soffer

May6-28
opening reception May 13, 7-10pm

Mending Circle
May 6,9,16,17,18 & 23, noon-5
Mending Circle Soiree: May 20, starting at 5pm. A dialogue led by fiber artist Carolyn Halliday will begin around 7pm.

Friday, May 6, 2011

Ceramic Art of Libbie Soffer

They are not yet installed and not all can be seen here, but ... as we began installing on Tuesday May 3, Anonymous Under Shelter appeared,
as did Tools of the Trade.
These will both be installed in the windows.

ars domestica
by Libbie Soffer

May6-28
opening reception May 13, 7-10pm

Mending Circle
May 6,9,16,17,18 & 23, noon-5
Mending Circle Soiree: May 20, starting at 5pm. A dialogue led by fiber artist Carolyn Halliday will begin around 7pm.

Thursday, May 5, 2011

ars domestica- the red dress in waiting



Out of the chaos of boxes come wonders. This red dress awaits our ministrations. It is a show stopper!
ars domestica
by Libbie Soffer

May6-28
opening reception May 13, 7-10pm

Mending Circle
May 6,9,16,17,18 & 23, noon-5

Mending Circle Soiree: May 20, starting at 5pm. A dialogue led by fiber artist Carolyn Halliday will begin around 7pm.

Tuesday, May 3, 2011

ars domestica- simple forms

ars domestica
by Libbie Soffer

May6-28
opening reception May 13, 7-10pm

Mending Circle
May 6,9,16,17,18 & 23, noon-5

Mending Circle Soiree: May 20, starting at 5pm. A dialogue led by fiber artist Carolyn Halliday will begin around 7pm.

Monday, May 2, 2011

ars domestica-mystery


ars domestica
by Libbie Soffer

May6-28
opening reception May 13, 7-10pm

Mending Circles:
May 6,9,16,17,18 & 23, noon-5

Mending Circle Soiree: May 20, starting at 5pm. A dialogue led by fiber artist Carolyn Halliday will begin around 7pm.

Friday, April 29, 2011

A PRE_PRE_PRE_preview?

Ok, it is months from now...
But Debora Miller, whose photographic projects have graced the windows of Susan Hensel Gallery on multiple occasions, will be part of the Northern Spark Festival in June.


She is also working on a new site specific piece for Susan Hensel Gallery for July and August.

Thursday, April 28, 2011

Libbie Soffer-balancing act

How have women balanced all the cares and necessities of their lives?

Libbie Soffer contemplates women's caregiving role through simple means, simple forms.

ars domestica
by Libbie Soffer

May6-28
opening reception May 13, 7-10pm

Mending Circles:
May 6,9,16,17,18 & 23, noon-5

Mending Circle Soiree: May 20, starting at 5pm. A dialogue led by fiber artist Carolyn Halliday will begin around 7pm.

Tuesday, April 26, 2011

Libbie Soffer - mending



Pockets and parts
Often ripped, rarely thought about unless they are absent or full of holes.

Removed from their mooring, they are myterious

As part of ars domestica Libbie will be hosting Mending Circles. You are invited to bring your clothing that needs mending and sit a while with Libbie as they are mended.

May 6,9,16,17,18 & 23 noon-5

ars domestica
by Libbie Soffer

May6-28
opening reception May 13, 7-10pm

Mending Circles:
May 6,9,16,17,18 & 23, noon-5

Mending Circle Soiree: May 20, starting at 5pm. A dialogue led by fiber artist Carolyn Halliday will begin around 7pm.

Monday, April 25, 2011

ars domestica-remains of the day


Quotidian objects
skeletal remains
the remains of the day at the office

Libbie Soffer's artwork, in this rugged economy, expresses the stress and the strain of families trying to feed and clothe...

ars domestica
by Libbie Soffer

May6-28
opening reception May 13, 7-10pm

Mending Circles:
May 6,9,16,17,18 & 23, noon-5

Mending Circle Soiree: May 20, starting at 5pm. A dialogue led by fiber artist Carolyn Halliday will begin around 7pm.

Saturday, April 23, 2011

Libbie Soffer and light

When Libbie Soffer works with the detritus of our daily lives, she not only sheds light on embedded stories, but she uses light to sculpt and define.

ars domestica
May6-28
opening reception May 13, 7-10pm

Mending Circles:
May 6,9,16,17,18 & 23, noon-5

Mending Circle Soiree: May 20, starting at 5pm. A dialogue led by fiber artist Carolyn Halliday will begin around 7pm.